It is the mid-21st century. Case is a former cyberspace cowboy, a hacker who interfaced his consciousness with the virtual realm of the net by connecting his nervous system to a PC, thieving data from corporations more powerful than nation states. Caught fencing information stolen from a vengeful client, Case is administered a psychedelic which burns away his matrix-manipulating expertise. Living on the edge in a lawless zone of dystopian Japan, his days seem numbered until he is kidnapped by Molly, a cybernetically enhanced assassin whose fingernails conceal scalpel-blade claws, her eyes hooded by mirror shade lenses grafted on to her face. Molly works for Armitage, a mysterious figure who offers Case a chance to return to cyberspace and the reward of untold wealth. Case's neural odyssey will take him into a world of terrorist youth subcultures, software fences, enigmatic artificial intelligences and an orbital colony of Rastafarians. His story culminates in a deadly cyberspace run aboard a luxury tourist space-station, where he will risk brain death in the ultimate virtual confrontation with Black Ice virus programs designed to flatline the consciousness of any intruder.

Any summary of Neuromancer reads like a string of geeky IT cliches simply because it is the most influential work of SF in any medium in the last quarter of a century, its argot entering computing terminology. When first published Neuromancer was so cutting edge it defied the understanding of everyone except experienced SF readers and computing pioneers, but in the PC world of today its concepts and language are part of our everyday consciousness. The defining work of the cyberpunk genre, Neuromancer consolidated the position of SF as the most relevant literature of our times while securing a comfortable, effective meeting ground for the previously opposed schools of New Wave writing and hard SF. Glinting with the influence of high-concept prose stylists like Bester, Delany and Dick, Neuromancer additionally nodded at the hardboiled noir of American crime fiction and the inspiration of outsider rock music in its romantic identification with existentialist outsiders.

Since Neuromancer Gibson has produced seven further novels and attained the literary stature of  Ballard or Don DeLillo in the process. Neuromancer remains unchallenged as the greatest single work of contemporary genre fiction and is perhaps the last true SF novel of genius.

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