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Art
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Art Forgery
Art and Authenticity
Forgeries of works of art present a nasty practical problem to the collector, the curator, and the art historian, who must often expend taxing amounts of time and energy in determining whether or not particular objects are genuine. But the theoretical problem raised is even more acute. The hardheaded question why there is any aesthetic difference between a deceptive forgery and an original work challenges a basic premise on which the very functions of collector, museum, and art historian depend. A philosopher of art caught without an answer to this question is at least as badly off as a curator of paintings caught taking a Van Meegeren for a Vermeer.
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see also:
▪
Abstract Expressionism
▪
Aesthetics, Psychology, and Cognition
▪
American Art
▪
Anthropology of Art
▪
Art Censorship
▪
Art History
▪
Art Therapy
▪
Art and Religion
▪
Art in Third Reich
▪
Art of Ancient Greece
▪
Aztec and Mayan Art
▪
Baroque Art
▪
Carolingian Art
▪
Edgar Degas
▪
English Abstract Art
▪
Kandinsky
▪
Monet and Impressionism
▪
Rococo Period
▪
Roman Portrait Sculpture
▪
Romanesque Art
▪
Stone Age Art
▪
Surrealism
▪
Victorian Architecture
▪
Vincent Van Gogh
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