Television cameraman Richard Grey is convalescing at a nursing home in Devon, recuperating from injuries sustained in a terrorist bombing. Grey suffers from amnesia: he cannot recall the weeks prior to the explosion. An insipid young woman called Susan Kewley visits him and insists she was his girlfriend, although Grey has no memory of her. Despite her nebulous quality, Grey encourages the association as a means of unlocking the vacant chapter in his past. Soon he realizes that there was a third person interfering with their relationship, a vague yet somehow ever-present young man whose very existence threatens Grey's hold on reality… To describe The Glamour any further would ruin the story: suffice to say that it is a spellbinding and original narrative which is also a homage to one of the famous works of H.G. Wells. Opening the book awakens an obsessive hunger in the reader that leaves them unable to lay it aside until its enigmas are fully experienced.

Christopher Priest is claimed to have coined the term 'New Wave' to describe the British experimental literary SF of the sixties. Never strongly associated with New Worlds, Priest is close to Wyndham in his desire to ensure that SF is recognized as being part of a British literary tradition that existed in the mainstream before the Americanization of the genre via the pulps. After the incisive, stark pure SF that comprises his early oeuvre, addressing politics, the nuclear threat and problems of perception (notably in his uniquely brilliant Inverted World, which employs a dazzling geometrical concept), Priest has consistently tackled how we experience reality subjectively, warping the fabric of our senses with an intensity Philip K. Dick would have applauded. Priest's painstaking, detached prose convinces us utterly with the credibility of his characters and settings while demanding we question our most fundamental assumptions about reality and fiction. In 1983 Granta magazine selected him as one of Britain's best young novelists (alongside Amis, Barnes, Ishiguro and Rushdie among others) and the recent film of his novel The Prestige will have introduced his books to a wider audience. One of the finest writers of literary SF ever, Priest's achievements stand alongside those of Ballard as the epitome of indefinable writing: there is no consensus on whether The Glamour is SF or not and there can be no better reason to read Priest than this uncertainty.

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